Archive
9 results
Camerawork Magazine - Issue 04
Issue 4: Quality of Life Children Photographed Black Stereotyping'children photographed', a.i.r., alternative representation, apartheid, architecture photography, bantu film experiment, black nationalism, black stereotypes, box room gallery, capitalism, children's rights workshop, colonial film unit, colonialism, creative camera, drum magazine, exhibitions, gender roles, ifriqiyah film collective, ikon, imperialism, jean mohr, light gallery, male gaze, male nudes, mass entertainment, photojournalism, picture post magazine, pin-up, playgirl magazine, pornography, quality of life', social realism, space, spare rib magazine, stereotyping of children, students, usa, viva magazine, voyeurism, women's magazines
Camerawork Magazine - Issue 07
Issue 7: Viva, Don McCullin and Philip Jones Griffiths, The Unpolitical Photograph?, Paris in the...'paris de nuit', 1930s, advertising, alain garnier, audience, bill brandt, brassai, capitalism, crime, criminal underworld, david seymour, don mccullin, economic depression, fascism, general strike, hardy, herve gloaguen, magnum, martine franck, marxism, mass media, philip jones griffiths, photography book, photojournalism, prostitutes, prostitution, publishers, robert capa, robert golden, roger mayne, self-publishing, side gallery, vietnam war, viva, war photography, yves joanmougin
Camerawork Magazine - Issue 09
Issue 9: The Picture Storyamerican press, artist in residence, audience, bacon-curing, black workers, boxing day, british army, community artist, cotton industry, criminal trespass law, eviction, family, farming, free photographic omnibus project, housing, ira, life magazine, magnum, meat industry, Memory, north sea oil rigs, northern irish conflict, objectivity, photo-diary, photo-journalism, photo-magazines, photography students, pig farming, pr, propaganda, squatting, textile industry, the picture story, the troubles, trade unions, wandsworth, war photography, workers
Camerawork Magazine - Issue 11
Issue 11: Mass Obervation, Humphrey Spender, Nigel Henderson, The Metropolitan Police Card, Inspe...'mass observation ltd.', 1930s, advertising, alternative technology, bolton worktown project, british surrealism, censorship, charles madge, collage, colonialism, consensus politics, consumer research, daily mirror, documentary, espionage, federal writers' project, graffiti, graham bell, great depression, humphrey jennings, humphrey spender, john ruskin, judith henderson, julian trevylan, mass observation (m.o.), met' cards, mike abrahams, ministry of information, n.u.j., national front, nigel henderson, paul nash, pop art, poverty, processing, propaganda, pubs, richard hoggart, social anthropology, social realism, social survey, the blitz, the centre for contemporary cultural studies, the new left, tom harrisson, worktown project (bolton), ww2
Camerawork Magazine - Issue 14
Issue 14: Reporting on Northern Ireland. Special Issue1916 easter rising, amnesty international, army computers, army intelligence photography, bloody sunday massacre
1916 easter rising, amnesty international, army computers, army intelligence photography, bloody sunday massacre, bo bojesen, british army, british empire, british media, british press, buzz logan, castlereagh holding centre, catholic communities, censorship, child poverty, chris steele-perkins, colin jones, daily express, daily mail, daily mirror, dhss, history of ireland, housing, industrial development, infrastructure, internment, ira, ira funerals, john z delorean, long kesh prison, mass surveillance, mcgurk's bar bombing 1971, northern ireland peace movement, orange movement, paramilitary organisations, peace rally 1976, peter kennard, photo-journalism, police surveillance, police violence, raissa page, republicans, roy mason, ruc, sectarian violence, sinn fein, snatch squads, social work today, special branch, steve chibnall, sunday times, syd shelton, the observer, the troubles, tom atkins, tony benn, ulster defence regiment, unemployment, unionists, upi, visor magazine, workers' research unit
Camerawork Magazine - Issue 29
Issue 29: Images of the Left, McClaren on Cable, Photomontage, Stuart Hall, Video1981, advertising, album covers, alternative, atrocity, band, beirut, beta, branding, broadcast, cable, campaign, colin roach, committing photography, community activism, community arts, community practice, conflict, constraints, darkroom, documentary, documentary realism, east london media forum, economic recession, edinburgh television festival, entertainment, exit photography group, factory records, fashion, female representation, film, format, funding, genocide, graphic design, ideology, inner cities, interview, interviews, invasion, isaac julien, israel, labour, labour party, lebanon, left, london video arts, malcolm mclauren, milton keynes, montage, mtv, music, nam june paik, network, new media, new order, photographing television, photojournalism, picture agency, political photograph, pop, popular, poverty, press, promotion, record industry, record sleeve, rentasnap, rio cinema, riots, self-portrait, simulation, slide, socialism, socialist realism, stuart hall, studio, style, survival programmes, taking tv pictures, tape/slide, television, the photo co-op, vhs, video, video art, video distribution, video exhibition, war, women’s photography, working class, youth vote, zionism
Camerawork Magazine - Issue 30
Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of Waract of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
