Archive
9 results
Camerawork Magazine - Issue 04
Issue 4: Quality of Life Children Photographed Black Stereotyping'children photographed', a.i.r., alternative representation, apartheid, architecture photography, bantu film experiment, black nationalism, black stereotypes, box room gallery, capitalism, children's rights workshop, colonial film unit, colonialism, creative camera, drum magazine, exhibitions, gender roles, ifriqiyah film collective, ikon, imperialism, jean mohr, light gallery, male gaze, male nudes, mass entertainment, photojournalism, picture post magazine, pin-up, playgirl magazine, pornography, quality of life', social realism, space, spare rib magazine, stereotyping of children, students, usa, viva magazine, voyeurism, women's magazines
Camerawork Magazine - Issue 02
Issue 2: Doing Photography War Photojournalism Third World'doing photography', amateur photography, blackfriars settlement, blackfriars young photography group, colleges
'doing photography', amateur photography, blackfriars settlement, blackfriars young photography group, colleges, colonialism, community photography, death, developing world, documentary, imperialism, mark edwards, photo-journalism, photography archives, photography libraries, poverty, third world, violence, war
Camerawork Magazine - Issue 05
Issue 5: Barry Lane Bill Gaskins Bert Hardy and Tom Hopkinson Dave Hoffman Frank Webster Terry De...'quality of life', alternative technology, amber associates, arts council, arts council photography committee
'quality of life', alternative technology, amber associates, arts council, arts council photography committee, barry kay, basement photography project, bbc, cable street, camerawork printing costs, children's photography, community arts, daily mail, daily mirror, developing, feminity, funding applications, hmpw, homosexuality, i.r.a, korean war, maire drumm, natural light, patronage, photojournalism, picture post, processing, semiotics, side gallery and cinema, social realism, strikes, tabloids, television news, text and image, thames television, the box room gallery, the sun, tower hamlets arts project, transgender, transvestite, vanessa redgrave, visual language, whitechapel art gallery, wwii, zone system
Camerawork Magazine - Issue 06
Issue 6: John Berger, Steve Hoare, Tom Picton, Nick Hedges, Roger Mayne, Jo Spence, John Tagg'working lives', alternative technology, amateur, art photography, capitalism, centreprise publishing project, children's photography, class, commercial photography, curriculum, depth of focus, documentary, ethnography, factories, half moon photography workshop educational collective, industrial, marxism, mass reproduction, neo-realism, nude, objectification, paul strand, photography as evidence, picture post magazine, pinhole, portrait photography, printing, robert golden, roger mayne, routine, social realism, viewpoint, work, workers' educational association
Camerawork Magazine - Issue 14
Issue 14: Reporting on Northern Ireland. Special Issue1916 easter rising, amnesty international, army computers, army intelligence photography, bloody sunday massacre
1916 easter rising, amnesty international, army computers, army intelligence photography, bloody sunday massacre, bo bojesen, british army, british empire, british media, british press, buzz logan, castlereagh holding centre, catholic communities, censorship, child poverty, chris steele-perkins, colin jones, daily express, daily mail, daily mirror, dhss, history of ireland, housing, industrial development, infrastructure, internment, ira, ira funerals, john z delorean, long kesh prison, mass surveillance, mcgurk's bar bombing 1971, northern ireland peace movement, orange movement, paramilitary organisations, peace rally 1976, peter kennard, photo-journalism, police surveillance, police violence, raissa page, republicans, roy mason, ruc, sectarian violence, sinn fein, snatch squads, social work today, special branch, steve chibnall, sunday times, syd shelton, the observer, the troubles, tom atkins, tony benn, ulster defence regiment, unemployment, unionists, upi, visor magazine, workers' research unit
Camerawork Magazine - Issue 17
Issue 17: The fashion Spread, Blair Peach-No Cover Up, Matchgirls' Strike-Labour History Musuem, ...1880, activism, advertising, anti-racism, blair peach, bryant & may, capitalism, cliches, commercial photography, community, conservative, copyright, court, deborah turbeville, demonstation, demonstration, depression, do it yourself, economic policy, environment, fashion, fashion industry, female gaze, friends of blair peach committee, guy bourdin, helmut newton, inquest, intellectual property, intervention, labour history, law, male gaze, match-girls, matchbox, mechanical reproduction, media representation, national museum of labour history, nuclear, nuclear power station, nuclear waste, peter kennard, photography/politics, pinhole, police, police brutality, political statement, postcards, printer, privacy, property, protest, racial tension, radioactive waste, representations of women, rights, social reform, stereotypes, strike, teds, union, unionisation, vogue, walkerprint, who killed blair peach? police racism, windscale, windscale inquiry
Camerawork Magazine - Issue 22
Issue 22: Women and Documentary Photography in Northern Irelandairport, airport opposition league, archives, arrest, arts and action project, arts council, black organisation, british army, censorship, children, civil rights, civil war, conflict, confrontation, control, danish women’s photographic archive, demonstration, deptford, displacement, documentary photography, el salvador, eyeopeners, farmers, fire, government, history, image, language, learning, liberation, media, murder, narita, northern ireland, occupation, opposition, photography working party, photojournalism, pinhole, police, policing photography, power, power and photography, press, press freedom, protest, racism, representation, repression, resistance, sanrizuka airport, sato, schools, state control, struggle, teachers, teaching, teenagers, text, trade union, using photography, war, women, women’s movement, words, workshop, young people
Camerawork Magazine - Issue 29
Issue 29: Images of the Left, McClaren on Cable, Photomontage, Stuart Hall, Video1981, advertising, album covers, alternative, atrocity, band, beirut, beta, branding, broadcast, cable, campaign, colin roach, committing photography, community activism, community arts, community practice, conflict, constraints, darkroom, documentary, documentary realism, east london media forum, economic recession, edinburgh television festival, entertainment, exit photography group, factory records, fashion, female representation, film, format, funding, genocide, graphic design, ideology, inner cities, interview, interviews, invasion, isaac julien, israel, labour, labour party, lebanon, left, london video arts, malcolm mclauren, milton keynes, montage, mtv, music, nam june paik, network, new media, new order, photographing television, photojournalism, picture agency, political photograph, pop, popular, poverty, press, promotion, record industry, record sleeve, rentasnap, rio cinema, riots, self-portrait, simulation, slide, socialism, socialist realism, stuart hall, studio, style, survival programmes, taking tv pictures, tape/slide, television, the photo co-op, vhs, video, video art, video distribution, video exhibition, war, women’s photography, working class, youth vote, zionism
Camerawork Magazine - Issue 30
Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of Waract of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions