Camerawork Magazine - Issue 07
Issue 7: Viva, Don McCullin and Philip Jones Griffiths, The Unpolitical Photograph?, Paris in the...'paris de nuit', 1930s, advertising, alain garnier, audience, bill brandt, brassai, capitalism, crime, criminal underworld, david seymour, don mccullin, economic depression, fascism, general strike, hardy, herve gloaguen, magnum, martine franck, marxism, mass media, philip jones griffiths, photography book, photojournalism, prostitutes, prostitution, publishers, robert capa, robert golden, roger mayne, self-publishing, side gallery, vietnam war, viva, war photography, yves joanmougin
Camerawork Magazine - Issue 09
Issue 9: The Picture Storyamerican press, artist in residence, audience, bacon-curing, black workers, boxing day, british army, community artist, cotton industry, criminal trespass law, eviction, family, farming, free photographic omnibus project, housing, ira, life magazine, magnum, meat industry, Memory, north sea oil rigs, northern irish conflict, objectivity, photo-diary, photo-journalism, photo-magazines, photography students, pig farming, pr, propaganda, squatting, textile industry, the picture story, the troubles, trade unions, wandsworth, war photography, workers
Camerawork Magazine - Issue 10
Issue 10: John Berger Jean Mohr Bill Jay Letter. Danny Lyon Interviewed. D.I.Y. Exhibitions'a seventh man', 'on photography', 'the family of man', 1973 coup, allende, alternative technology, attica rebellion, bikers, bill jay, black british, capitalism, captions, civil rights movement, class stereotypes, colonialism, copper industry, decline of photography, developing world, development of photography, documentary, economics of photography vs. film, editing, english psyche, exhibition captions, from photography to film, international labour office, lung disease, magnum, maternity, migrant workers, mining communities, oral history, photo-book, photography and memory, photography criticism, photomontage, pin-ups, play environments, political prisoners, pornography, post-colonialism, private vs. public photography, propaganda, publishing, racial discrimination, steel works, third world, touring exhibitions, trade unions, un, universality, us prisons, women workers, working children, workplace deaths, world health organisation
Camerawork Magazine - Issue 17
Issue 17: The fashion Spread, Blair Peach-No Cover Up, Matchgirls' Strike-Labour History Musuem, ...1880, activism, advertising, anti-racism, blair peach, bryant & may, capitalism, cliches, commercial photography, community, conservative, copyright, court, deborah turbeville, demonstation, demonstration, depression, do it yourself, economic policy, environment, fashion, fashion industry, female gaze, friends of blair peach committee, guy bourdin, helmut newton, inquest, intellectual property, intervention, labour history, law, male gaze, match-girls, matchbox, mechanical reproduction, media representation, national museum of labour history, nuclear, nuclear power station, nuclear waste, peter kennard, photography/politics, pinhole, police, police brutality, political statement, postcards, printer, privacy, property, protest, racial tension, radioactive waste, representations of women, rights, social reform, stereotypes, strike, teds, union, unionisation, vogue, walkerprint, who killed blair peach? police racism, windscale, windscale inquiry
Camerawork Magazine - Issue 19
Issue 19: State of the Nation - E.P.Thompson, Photomontages by Peter Kennard, Edith Tudor-Hart - ...1930s, anthropology, apartheid, arts & action, arts council, blair peach, boycott, civil liberty, colonialism, community arts, context, cruise missile, cultural imperialism, dictatorship, geographical magazine, haywain, hayward gallery, historical interpretation, history, human rights, interpretation, jo spence, lilliput, margaret thatcher, marxist, meaning, mechanical reproduction, namibia, nato, observers of man, perspective, photography history, photomontage, police, police brutality, policie enquiry, political, representation, representation of women, rhondda valley, social role of women, stamp, surveillance, three perspectives on photography, women, women workers, workers' camera club, workers' film and photo league, working class wives, working in the 30's
Camerawork Magazine - Issue 20
Issue 20: Zimbabwe - Managing History, Immigrant Women, Cover Women, Political Photomontage: Hear...advertising, art and commerce, british photography, camerawork, chimurenga, colonialism, community, cosmopolitan, economy, editorial, exhibition reviews, exploitation, feminism, gender stereotypes, german, hegemony, immigrant, left, magazine, magazine covers, mashona, national conference of socialist photography, new photography, north paddington community darkroom, photobooks, photomontage, politics of representation, portrait, portraiture, representation, representation of women, rhodes, rhodesia, socialism, spare rib, staeckbrief, stalinist, turkish, women, women and home, women's own, zimbabawe
Camerawork Magazine - Issue 30
Issue 30: Black Culture, Pictures of women, Beyond the Pleasure Principle, Pop Videos, Images of Waract of looking, advertising, american, anthropology, appropriation, archive, art in the age of the mass media, arts and action, auca, berlin, black, body, cable, cable development, captions, channel 4, civil war, collection, community, conflict, culture, darkroom, david hockney, desire, discourse, diy, drawing, el salvadorian film institute, elizabeth elliot, ethnography, exhibition, exhibition texts, fact, falklands, feminist, film, hayward gallery, heroism, hierarchy, history, hockney at the hayward, imperial war museum, independent film, independent video, indians, institute of contemporary art, loli galvar, love, mapplethorpe at the ica, media, mtv, music video, narrative, national identity, native, painting, patriarchy, photography, photomontage, pictures of women, pleasure principle, political, postcard, precarious masculinity, printing, promo video, promotion, promotion protecting photographs, record industry, record sales, reggae, renovation, representation, restoration, rising red star advertising agency, seminar, sexuality, sound systems, south hill park arts centre, stereotypes, still image, story, sudhost express, technology, television, television industry, text panels, the eleventh hour, the people will win, the savage my kinsman, time, video, visual perception, war, war photography, women, writing for exhibitions
Camerawork Magazine - Issue 32
Issue 32: Science and Technology19th c, advertisement, american, apalachia, arts council of great britain, body, brunel, canadian, classroom, computer, conference, cultures, discipline, documentary, education, erotic, fantasies, female, foucault, gender roles, glamour, great western railway, health, history, illumination, indians, industrialisation, isolation, jo spence, kingdom, knowledge, light, maxism, model, native, nineteenth century, nude, objectivity, panopticon, photographers in education, polysnappers, post-modernism, power, press, private, progress, public, punishment, rationality, records, review of work 1950 – 85, rhetoric, role reversal, science, scientific frameworks, sculpture, semiotics, sexual identity, sexuality, steamship, stereotype, stories, surveillance, technology, television mythologies, truth, typist, underprivileged, victorian, visual display unit, wellbeing, women, word processing
